My work “Monsoon” will be premiered by the Pacific Chamber Orchestra under the baton of their director, Lawrence Kohl on Sunday, October 27th as a part of the Dream American concert. This concert will include five premieres by emerging composers. More information on this work coming soon.

Here is the live stream link: https://music.rice.edu/live-streaming-duncan-recital-hall

As I am writing this I am less than 4 hours from the recital and still furiously getting things together, but I thought I would take this time to make a small page where I can send people who are viewing the live stream from home so that they can read a bit about the work being premiered on this recital: Wandering Rocks.

Two other works are being performed on this recital. The first is Study After Agnes Martin’s The Tree performed by Anna-Sofia Botti. It’s a neo-impressionist work I wrote in response to one of my favorite paintings. The second is The Wayfaring Stranger performed by a vocal octet which came together very very very last minute to give new life to this small work I wrote for Roomful of Teeth last year.

A lightly revised version of my work, The Hand of God, which premiered at Barge Music in NYC this past summer received its west-coast premiered this past weekend at Cal Poly Pomona at Nadia Shpachenko’s CD Release Invasion, featuring music and art by Ukrainian artists with funds going towards supporting Ukraine. A subsequent performance is happening TONIGHT (December 11th) at 7:30PM at California State University Northridge.

My Alma Mater, Pomona College, commissioned me for a new orchestra work which I just completed. Please take a look at it here and read about the wonderful orchestra that will be performing it here. The performances are slated for November 18th (8PM) and 20th (3PM) at Bridges Hall of Music.

On the complete other end of the spectrum, I recently dug out a solo horn work which began as a collaboration between me and a friend and was sort of just thrown away (by me, not the friend) and forgotten about once it was completed. I figure that it is a good enough work to warrant being reworked and premiered, so I have done that and as of typing this I am a couple of hours from the premiere at the first Hear & Now Concert (Rice’s student-led new music ensemble). It should be a wonderful time as the horn player has really brought new and vivid life to this work. More info on that incoming.

My new work, The Hand of God, will be premiered at Barge Music in Brooklyn, NY on July 22nd (very soon!) by Ukrainian-American Grammy™ Award winning pianist Nadia Shpachenko. This work was a part of her GOAT commissioning project, funded by New Music USA, which you can read about here.

The (much too long) program note I put together for this work:

“The Hand of God” refers to an “illegal” goal made by Argentine footballer Diego Maradona during the 1986 FIFA World Cup Quarterfinals against England.  In this work I intended to have the musical materials derive from soccer moves and trajectory mimic that of getting more proficient at those moves. While writing this work, I learned of “The Hand of God” and its anti-colonial connotations in the context of the Falklands War, and how Diego later relayed that he viewed this illegal move as “symbolic revenge” against England. This work is a loose metaphor for the journey that Diego took towards mastery of the art of football. As such the work is at times lumpy, uncomfortable, and viscous with many harsh and deeply dissonant cluster chords. But, out of that discomfort is brought a clarity, as the piece seems to “learn the trick” after much repetition. Ultimately there is a moment containing consonant chords inserted just for a moment before an extremely grand gesture finishing the work. I interpret this as both divine intervention and the feeling of finally having a breakthrough where, in the midst of learning a new skill, one actually begins to make progress.

Also on the program are New York/East Coast premieres by Pamela Z, Ian Dicke, Dana Kaufman, David Sanford, and Adam Schoenberg as well as brand new works by Christopher Cerrone, Harold Meltzer, Evan Ware, and my former teacher, Thomas Flaherty.