Below you’ll find a selection of works I have written in recent years. The four pieces I have linked videos to here are a good representation of my artistic voice. Additionally, there is a full works list below these videos. There you can find every work I have written, including ones which have not yet been premiered or have not had recordings publicly released yet. Information such as premiere date, instrumentation, and duration are listed with each work. If you are interested in performing any of these works, please contact me at the contact page.

NB – Works described as “written for” indicate the piece was written without an exchange of money (for instance, friends asking for pieces for their recitals, or as a component of a degree such as a thesis or work for a recital of my own), whereas “commissioned by” indicates I was paid by the performer or an organization for the production of the score.

Select Works

Full Works List

Solo

Study After Agnes Martin’s The Tree (2023)

For Solo Piano (13′)
Written for Ayane Nakajima at Rice University in Spring of 2023
Revised version premiered by Anna-Sofia Botti at Rice University in Fall of 2023

The Hand of God (2022)

For Solo Piano (5′)
Commissioned by Nadia Shpachenko for her GOAT Commissioning Project
Premiered by Nadia Shpachenko at Barge Music in NYC

Upcoming Release on Reference Recordings: TBD

Lewis (2022)

For Solo French Horn (6′)
Premiere: Rice University’s Duncan Recital Hall as a part of a Hear & Now Concert on October 16th, 2022 by Connor Landers

Reality’s Edge (2021)

For Solo Ukulele
Written for Dr. Giovanni Albini
Recorded as a part of the Album A Contemporary Ukulele released on Da Vinci Records

Element (2021)

For Solo Violin
Written for the 1:2:1 Composers Workshop for violinist Jennifer Gersten
Premiere: March 21st, 2021 at the workshop’s virtual concert

Chamber

Tomorrow (2025)

For cello and piano (9′)
Written for Wendy Lu and Elijah Orlenko for
Premiered at the 2025 Penn Sound Collective December Concert

An Homage to Beethoven (2024)

For violin and cello duet (3′)
Commissioned by DACAMERA of Houston for their 2024 Gala
Premiered at the 2024 DACAMERA Gala by Astrid Nakamura and Chris Ellis

The Turning Road (2024)

For string quartet
Commissioned by DACAMERA of Houston
Premiered at the Museum of Fine Arts Houston as a part of their exhibit on Fauvism in January of 2024

The Wayfaring Stranger (2023)

For vocal octet with optional amplification
Read as a part of Roomful of Teeth’s residency at Rice University in Spring of 2023
Revised version premiered in Fall of 2023 with an ad hoc vocal octet

Welcome (2021)

For quintet (cl, fl, vln, vco, pno) (8′)
Written as part of the Red Note Composers Workshop
Premiere: Spring 2021 as a part of Ónix Ensamble’s 25th Anniversary Season
Finalist for the 2022 and 2023 ASCAP Morton Gould Young Composers Award 

Large Ensemble

Kronos (2026)

For Orchestra (2.2.2.2. – 4.2.2.1. – 3 per., hp., cel, strings) (7′)
Written for a reading with the Curtis Symphony Orchestra (Feb. 2026)

Monsoon (2024)

For Chamber Orchestra (1.1.1.1. – 1.0.1.0. – 2 per., hp., 4.3.3.3.1.) (7′)
Written for the Pacific Chamber Orchestra’s Dream American Competition

Speak Louder Than Words (2024)

For Orchestra (3.3.3.3. – 4.3.3.1. – timp. + 3 perc., pno., hp., strings) (9′)
Masters’ Thesis Written for the Shepherd School Symphony Orchestra (SSSO)
Premiered March 2025
Subsequent Reading by the New England Philharmonic in June 2025

Wandering Rocks (2023)

For Chamber Orchestra (1.1.1.1. – 1.1.1.0. – 2 perc., hp, 2.1.1.1.) (21′)
Premiere: November 14, 2023 for my master’s recital
Awarded Honorable Mention in the 2024 New York Youth Symphony First Music Competition
Finalist for the 2024 ASCAP Morton Gould Young Composers Award

Transient Moments (2022)

For Orchestra (2.2.2.2.-4.2.0.0.-2perc.pno-hrp-strings) (9′)
Commissioned by the Pomona College Orchestra for their 2022/23 Season
Duration: ca. 9:00
Premiere: November 17th: Bridges Hall of Music at Pomona College